10/29/2022 0 Comments Free bulk email sender online![]()
Automatically, Mailtrack separates bulk emails into individual emails. Sending mass emails through Mailtrack is straightforward, but the difference is in what happens after you click send. So, sending bulk emails with Mailtrack is a lot safer for your email account than just relying on Gmail. Mailtrack Campaign separates bulk emails into individual messages before sending, so you won’t have to worry about spam filters flagging your email for undisclosed contacts. And if you need to be sending bulk emails in significant volumes, you should be thinking beyond Gmail, anyway. Since your Gmail account limit could be 500 emails per day, Mailtrack limits sending bulk emails to 200 per day. Navigate to the “Lists” option in the left-side menu in Gmail, create a mailing List and select “Compose Campaign” to send an individual tracked message for your email to up to 200 contacts at once.
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10/29/2022 0 Comments Router tockler![]() The hex wrench stores in a dedicated spot in the fence itself. The fence also features easy-to-grip knobs with rubber overmolds and comes with a heavy-duty bit safety guard, an integral 2-1/2" diameter dust collection port and a T-shaped hex wrench for adjusting the fence faces. They store behind the outfeed fence face, but they can be removed, turned 90 degrees and reinstalled to shift the fence face out 1/32" to support the straightened edge of a workpiece. Additionally, there are two T-Slots on the aluminum body – one on top and one on the back – that enable mounting of sliding stops and other accessories.įor router table users who want to be able to true up the edge of a board but don't have a jointer, metal jointing rods are included. The fence faces also incorporate T-Slots for mounting vertical featherboards to increase workpiece control. The ProMax fence has melamine-coated MDF fence faces that can be slid close to the router bit to provide zero-clearance workpiece support for smoother cuts. "The ProMax fence lets you zero in on the perfect setting much more quickly and easily." "Anyone who's used a router table knows that it can take a lot of nudging back-and-forth to get the fence position just right," said Dan Wenning, Rockler's director of product development. An internal spring provides tension to help keep the fence face in place, and a lockdown knob on the top to fully secure the setting. The user positions the fence close to the final desired position, locks it down and then turns a knob on the back of the fence body at the infeed end to fine-tune the fence face in or out. The Rockler ProMax Router Table Fence has a rugged two-part extruded aluminum body that's hinged at the outfeed end. Rockler Woodworking and Hardware has introduced the first router table fence on the market that allows the user to micro-adjust the fence face in or out after the fence has been locked in position – quickly delivering precision that's hard to achieve with the age-old knuckle-tapping method. ![]() 10/29/2022 0 Comments Music keys emotion![]() ![]() ![]() ![]() In practice, users of the system could self-report their emotional state as coordinates in arousal and valence space. The aim of this research is to develop a system that can organise the vast amount of music that is available to the general public in a meaningful, personalised way, by providing a mechanism by which music can be emotionally labelled. To this end, a scalable solution for designing affective music playlists is proposed in this paper, which has the ability to account for such emotional factors. In correspondence with this, the use of emotion in creating music playlists is a frequently occurring concept with users (Stumpf & Muscroft, 2011), yet currently there are few effective systems for organising music according to emotion using computational methods. Studies have suggested that the most common motive for listening to music is to influence emotions (Juslin & Sloboda, 2011). Music is often regarded as a language of emotions (Cooke, 1990) it expresses feelings that listeners perceive, recognise, and are moved by. Affective music playlists have recently begun to receive more widespread attention as an alternative approach, which takes these emotional concepts into account. More importantly, with respect to affective computing, these systems do not make recommendations based upon an individual's emotional state or incorporate knowledge of the emotional content and perceptual effects of the music. Content-based methods also lack an understanding of users' interests and preferences (Shao et al., 2009). Collaborative filtering methods require a large amount of historical data from users, which gives rise to issues of privacy. While these approaches provide one possible solution for generating music playlists, they have several disadvantages. demographics, preferences, etc.) and features they are interested in (musical genre, tempo, artist, etc.) (Mobasher et al., 2000). The latter also uses a rating system, but focusing upon the attributes of users (e.g. The former is a community-based process that typically uses a rating system, which bases its recommendations upon other users that have similar tastes (Ricci et al., 2011). The approaches that are employed by such systems often draw upon collaborative or content-based filtering techniques, which have their digital origins in recommendation systems for online shopping and other commercial applications. Music recommendation systems have become commonplace on platforms that support the organisation and acquisition of digital music. This has led to a revolution in the way music is used in everyday life, where music playlists can be easily created to reflect a host of situations, intentions and contexts (Juslin & Laukka, 2004 Kamalzadeh et al., 2012). The choice and portability of music afforded by the digital revolution has actually made listeners more active as opposed to passive, in that they seek out particular songs for specific emotional or contextual purposes, rather than being exposed to the playback of music over which they have little or no control in the selection of North et al. ( 2004) and Krause et al. ( 2015). MUSIC KEYS EMOTION PORTABLEThe ability to carry a large digital library of music is now commonplace, thanks to the advent of psychoacoustic audio compression techniques and portable digital music players, the function of which have increasingly become integrated with ubiquitous devices, such as laptops, tablets and smartphones. ![]() 10/29/2022 0 Comments Pixel 3 for honor![]() However, the Pixel 3 display has an aspect ratio of 18:9. The display of the Magic3 also has an 18.5:9 aspect ratio. On the other hand, Pixel 3 has a 5.5-inch OLED display with a resolution of 1080 x 2160 pixels and 443 ppi density. Magic3 features a 6.76-inch OLED display with a resolution of 1344 x 2772 pixels and 456 ppi density. ![]() Thanks to its IP water and dust resistance, Pixel 3 has a better quality design. Pixel 3, on the other hand, comes in three different shades: Not Pink, Clearly White, and Just Black. Magic3 has four colors available: Black, Blue Hour, White, and Golden Hour. Pixel 3 is thus safe against water damage, whereas when using Magic3 around water sources, you need to be cautious. Water-resistance is missing in Magic3 in comparison with the Pixel 3, which is water-resistant to IP68 standard. Therefore, they both are sleek looking and have a bigger screen to body ratio. However, the Magic3's front is a bezel-less one. Consequently, the two phones are of high build quality. Honor's phone, thus, has a higher weight than the Google's phone.Įach handset uses glass as the front and back material with aluminum as the frame material. On the other hand, the weight of Pixel 3 is 148 g. Therefore, Honor's phone is harder to use with one hand. Magic3, having a size of 162.8 x 74.9 x 8.99 mm, is bigger relative to Pixel 3, size 145.6 x 68.2 x 7.9 mm. ![]() Honor Magic3 vs Google Pixel 3: Specificationsĥ0 MP main 13 MP ultrawide 64 MP b/w MP main CAMERAġ3 MP selfie MP selfie 8 MP ultrawide mAh Fast Charging ![]() 10/29/2022 0 Comments Circle mosh pit![]() ![]() People in circle pits, on the other hand, dance in an ordered pattern, like flocks of migrating birds. Teach you how to Mosh Pit and Stage Dive.Best Stage Diving video everWorld's Sickest Stage DiveMosh pit tributeMosh pit tributeextreme. In this song, theres a time after chorus that let mosh crew open a circle pit. When he examined the dancers in mosh pits he realized that they behaved like gas particles bouncing around in the air in unpredictable ways. This song live is the dogs bollocks of moshing songs. ![]() If you don’t want to dive right into the mosh pit, stay at the edge of the pit for a little bit and observe until you feel ready to enter. Don't be surprised if people are pushing you and bumping into you at this point. “I watched with pleasure,” says Silverberg. Make your way through the other moshers to get away from the edge of the circle. They watched and analyzed about 100 videos from YouTube of people participating in either mosh or circle pits. (In mosh pits, people bounce off one another and in circle pits they rush around in a circular motion.) With the help of a fellow graduate student, Matt Bierbaum, Silverberg examined whether humans in mosh pits and circle pits truly followed the rules of collective motion, which describes phenomena such as flocking as seen with birds or schools of fish. These group dances are performed by societies all over the world, traditionally as a folk ritual that allowed people from different cultures to express themselves through movement and dance. Several years later in a statistical mechanics class with James Sethna, professor of physics at Cornell, Silverberg recalled the ripple-like movement in the mosh pit and thought studying it might make an interesting experiment. The mosh pit can be understood as a form of circle dance. We find these extreme social gatherings generate similarly extreme behaviors: a disordered gaslike state called a mosh pit and an ordered vortexlike state. ![]() While some probably assumed the singer was just messing around with. “I had a hard time focusing on the music for the rest of the evening.” Azalea played along, stating This is why we need to invent: TwerkPit. “The collision went from one side to the other,” he says, adding it looked like moshers followed the rules of collective motion. ![]() |
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